Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item . View and download Bai-Lin(1).pdf on DocDroid. Description. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility .

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Next is to start a half step up from the beginning of the exercise on T23, working my way up to T0. This forces me to be flexible and facile in all ranges of the kip. This site uses Akismet to reduce spam. Do not attempt to play in too high a register.

Lip Flexibilities (Bai Lin)

Learn how your comment data is processed. Briefly, some of the benefits linn practicing lip slurs include: In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs — or anything else.

Your name, email address, and comment are required. Worth area, and has published numerous articles in The Horn Call. Post was not sent – check your email addresses! Notify me of new posts via email. Manipulating the air stream is key, not only in hitting the pitch but also in voicing each note with a full and ringing sound. Combined with effective practice and thoughtful instruction, lip flexibilitoes can be used to develop tone, technique, range, and more!


Lip Flexibilities (Bai Lin) — Balquhidder Music

A balance between variety and accessibility has been used to challenge the ear and combat the monotony of the typical lip slur exercise li; maintaining a logical and musical shape to the phrase.

The following HTML tags can be used in the comment field: Email required Address never made public. As with all lip slurs, the level of difficulty varies widely depending on the level of execution. Though written by a trumpet player, as the title suggests the exercises contained here are beneficial on all brass instruments. Now […] Like Like. By continuing to use this website, flexivilities agree to their use.

Overall these are both great books, and well worth abi. This site uses cookies. Always try to produce your most beautiful tone.

Dynamic and tempo markings are not included, but I would assume that these should be added and freely altered depending upon your own needs and capabilities. Facebook Twitter Reddit Print Email. Notify me of new comments via email.

Special thanks go to Michael Helman for pointing out this publication to me. This will avoid hurting your embouchure or learning to play incorrectly. A Progressive Lun of Flexibility Exercisesnewly revised and published by Meredith Music cover image linked from http: You are commenting using your WordPress.

Friday Review: Lip Flexibilities by Bai Lin and Lip Slurs for Horn by Howard Hilliard

To find out more, including how to control cookies, see here: If you feel your embouchure is tiring or is uncomfortable, you should choose an easier section to practice. In his introduction, Hilliard provides some valuable insight into the art of playing beautiful slurs.


On a triple, I then continue higher flexibipities the high F horn, starting kin T and going up as high as I can. Briefly, some of the benefits of practicing lip slurs include:. EtudesRepertoireReviewsTechnique.

Among the more advanced exercises, there is a wide variety of lip slurs that focus on lln specific skills. Subsequent patterns expand both in range and rhythmic complexity, and the dlexibilities exercises are truly virtuosic. Cancel reply Your name, email address, and comment are required. I start out each as written on the open F horn, extending down to the fingering, then continue down using the B flat horn, down to T Discovering the right approach to the peculiarities of each exercise will maximize both the enjoyment and benefits of this book.

The air should be fluent and steady consistent. Though ubiquitous in method and etude books for brass instruments, these two publications really cover the topic in a progressive, systematic way. Fill in your details below or click an icon to log in: You are commenting using your Twitter account.